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November 2018: Media On Display: Exhibition in Galleries and Museums and Rare Experience: Projecting Original and Unique Materials (Association of Moving Image Archivists conference: Portland, OR)
June 2018: Media Conservation Initiative: Getting Started: A Shared Responsibility (Museum of Modern Art: New York, NY)
February 2018: The Collection and Preservation of Time-Based Media, with Case Studies from The Museum of Modern Art, New York, Anthology Film Archives, and Tokyo Photographic Art Museum (Tokyo Photographic Art Museum: Tokyo, Japan)
May 2017: Media Conservation Initiative: Getting Started: A Shared Responsibility (Museum of Modern Art: New York, NY)
May 2017: Harry Smith: New Restorations (w/ Andrew Lampert, International House: Philadelphia, PA)
April 2017: Durational Disorderly Binge Drunking (Bastard Film Encounter: Raleigh, NC)
March 2017: Barbara Rubin’s [Untitled, Rolls 5347 and 5350] (Orphans Film Symposium: Cinematheque Francaise, Paris, France)
November 2016: Ongoing Intermediations: Preserving Jud Yalkut and Nam June Paik (Association of Moving Image Archivists conference: Pittsburgh, PA)
May 2016: Anthology Film Archives and the Case For Experimental Film Preservation (Galaxy 67 Symposium, Asian Cultural Center: Gwangju, South Korea)
November 2015: How Motion Picture Film Is Used To Preserve Moving Images (Association of Moving Image Archivists conference: Portland, OR)
October 2015: P:RESENTATION:P:PRESERVE:P:RESERVE:P:P:RESERVED: Paper documentation and the preservation/presentation of Paul Sharits’s filmography (Misfits 2015: Time-based Media and the Museum, Carnegie Museum of Art: Pittsburgh, PA)
April 2015: Curating the Moving Image symposium (Yale Film Colloquium: New Haven, CT)
April 2015: A Genuine United Statesian (Bastard Film Encounter: Raleigh, NC)
September 2014: Experimental Films by Kids from the Film-Makers’ Cooperative (Exploratorium: San Francisco, CA)
April 2014: Anthology Film Archives and Contemporary Media Preservation (Lithuanian Central State Archives: Vilnius, Lithuania)
April 2014: Selections from Anthology Film Archives Revisions Project: Avant-Garde Filmmakers 1975-1990 (Kaunas, Lithuania)
February 2014: Blue Glass: Joseph Cornell, the New York film Avant-Garde, and Anthology Film Archives (Institut national d'histoire de l'art: Paris, France)
November 2013: Avant-Garde Film Preservation and Anthology Film Archives (Bennington College: Bennington, VT)
November 2013: Dr. Richard Goldberg and George Eastman House's Technicolor Acquisition (Association of Moving Image Archivists conference: Richmond, VA)
October 2013: Introduction to Film Preservation (Mono No Aware Film Workshops: New York, NY)
September 2013: Sega Dreamcast: Piracy as Preservation (NYU Game Center's Archiving Video Games Symposium: New York, NY)
July 2013: DeLanda’s Magic Mushroom Mountain Movie (Northeast Historic Film Summer Symposium: Bucksport, MA)
March 2013: Introduction to Film Preservation (Mono No Aware Film Workshops: New York, NY)
December 2012: The Incredible, Indelible Films of Manuel DeLanda (CineFamily: Los Angeles, CA)
December 2012: Out of the Past: Film Restoration Today, Recent Work From Anthology Film Archives (UCLA Hammer Museum: Los Angeles, CA)
November 2012: Dreams That Money Can Buy: An Evening of Corporate-Sponsored Avant-Garde Film, curated by Jon Dieringer (Flaherty NYC: New York, NY)
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